![]() ![]() This week, police in Kenosha, Wisconsin, shot Jacob Blake several times in the back. “It was still happening.”Īnd it keeps happening. “The banners was good because if you was trying to hide away from the protests, while you’re on vacation or sitting at the beach or sitting on the lake in Dallas, you had to experience it regardless,” Holmes said. Yet, Floyd’s death and the protests that followed called for something different from him. Raw strokes of paint, symbols and text orbit his subjects. His paintings - intimate, poignant moments - blend portraiture with abstraction. He grew up in Thibodaux, Louisiana, and his works offer glimpses into the lives of Black families in the Deep South. That banner that flew over New York City had the phrase, “They’re going to kill me,” in reference to George Floyd’s killing by police. The memorial in the sky was a first for Dallas artist Jammie Holmes, but celebrating Black lives is central to his work. We’re always fighting, arguing over what property is ours, but the sky is free.” “It’s almost like throwing doves in the sky when someone passes away, like a final resting piece,” Holmes said. “The sky is free land. ![]() It was a fleeting but powerful tribute to Floyd, who just five days earlier had been killed by police in Minneapolis. On May 30, planes flying banners with George Floyd’s final words swept across five cities: Dallas, New York City, Detroit, Miami and Los Angeles. In the first of a series of stories, painter Jammie Holmes explains why art must play a part in the social movements defining 2020. Editor’s Note: As the pandemic lays bare racial inequities in health care access and protests against police violence and racial injustice persist across the country, Art&Seek wanted to know what impact this moment in history was having on the creativity of Black artists in North Texas. ![]()
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